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COLOUR COLLECTION No.2

Our second range of colours draw inspiration from the linoleum corridors and the wallpapered parlours, breakfast rooms and nurseries of an imagined 18th century home. At the same time we’ve given a nod to the municipal buildings of the same period; the town halls, schools and institutions. Grave, dignified buildings, honestly engineered, and severely but handsomely decorated with restraint and gravitas. This collection was put together by Adam Bray & Sue Skeen.

Kipper Colour by Plain English

13. Kipper

Soft and smokey with a pinkish glow, a rare but satisfying breakfast staple.

Chop Colour by Plain English

14. Chop

A deeply intense shade of red to be found on the Butchers block. Bake, grill or braise.

Blancmange Colour by Plain English

15. Blancmange

The brightest burst of milk on powder. Mix well and transform in to a sumptuous moulded dessert.

Jam Colour by Plain English

16. Jam

A bright delight, a jewel like droplet of a boiled strawberries, but will it set?

Gravy Colour by Plain English

17. Gravy

A smooth, savoury shade, a labour of love when made from scratch.

Mushy Peas Colour by Plain English

18. Mushy Peas

This starchy green captures the deeply satisfying accompaniment to freshly deep fried fish and chips.

Sprouts Colour by Plain English

19. Sprouts

A crisp, rich green that surrounds the most polarising of cruciferous vegetables.

Mash Colour by Plain English

20. Mash

A soft and soothing shade, thick cream with a note of black pepper.

Boiled Egg Colour by Plain English

21. Boiled Egg

‘Go to work on an egg’ wrote Fay Weldon. This rich solid hue exudes the sun shiny joy of a good breakfast.

Sauce Colour by Plain English

22. Sauce

Glistening, rich and comforting, this brown to red shade warms the heart and hearth.

Milky Tea Colour by Plain English

23. Milky Tea

It takes a good whole milk and a well ‘mashed’ breakfast tea to achieve this warm friendly shade.

Relish Colour by Plain English

24. Relish

Patum Paterium or Gentleman’s Relish was first created in 1828 by an Englishman, John Osborn. This subtle, yet strong shade, befits the secret recipe.

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